Carl Martin Compressor/Limiter Pedal
The Carl Martin Compressor/Limiter Pedal was specially developed to incorporate the same features and sonic clarity found in high-quality professional studio compressors. To achieve this Carl Martin incorporates a variable threshold, compression ratio, and attack/release controls and of course, a gain level. General Guidelines on the use of the Compressor/Limiter: Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument. Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting. Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require silent limiting, you should use fast times. Gain: Working clockwise, sets the overall gain. Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied. The Carl Martin Compressor/Limiter Pedal is ruggedly built by hand in Denmark. Carl Martin Delayla
Incorporates some of the same features used in vintage tape delay units. To achieve this, Carl Martin incorporated a second delay tap (similar to using 2 heads simultaneously on a tape delay). TAP footswitch turns second tap on or off. TAP knob controls the mix of main delay vs. second tap delay. Warm, smooth sound reminiscent of the vintage tape units used in the 50s and 60s. Captures one of the hardest sounds: that authentic rock 'n' roll slapback echo that digital processors are unable to emulate. Built-in, regulated (+-12V) power supply. Carl Martin Hot Drive n Boost Pedal
Voiced with an emphasis on the midrange, the Hot Drive'n Boost pedal will produce tones ranging from crunchy blues to classic rock with great sustain, but cleans up nicely when you back off on your guitar's volume control. The unit features both clean and distortion outputs for players who wish to split their signal into 2 amps. The boost feature lets you pump out up to 22dB more punch for solos that really stand out! Carl Martin The Fuzz
By using the wave guide's deep and high controls it is possible to clean up the distortion, and with the 3-band EQ shape the sound in any way needed. With the wave guide, the 3-band EQ, and the extraordinary high maximum gain, it is possible to create distortion sounds going from old blues fuzz, over the mid-'80s hard rock, to more hardcore metal. Features a built-in regulated power supply. Carl Martin Trem o Vibe Pedal
It consists of a tremolo and a real vibrato, both with independent sets of speed and depth controls. The tremolo effect works like a change in volume; the vibrato works as a change in tone (pitch modulation) and is carefully designed to imitate the sound of a real tube vibrato. Features 2 switches: on/off and select. Has a built-in regulated power supply. Carl Martin Drive n Boost II
The Hot Drive'n Boost MKII is similar to the Hot Drive'n Boost but voiced with an extended frequency range one octave lower than the regular HDB. The result is more bottom end, sustain, and harmonics. The unit delivers an authentic '70s British sound, but cleans up nicely when you back off on your guitar's volume control. The Hot Drive'n Boost MKII also features both clean and distortion outputs for players who wish to split their signal into 2 amps. The boost feature lets you pump out up to 22dB more punch for solos that really stand out! Carl Martin Contour n Boost
This versatile pedal is designed to boost and change the contour. The circuitry is designed with high- and low-pass filters with a fixed crossover frequency at 440Hz, so that the high-pass filter operates from 65Hz to 440Hz and the low- pass filter from 440Hz to 8kHz. Both filters are individually sweepable with a boost range of up to 12dB. With these 2 filters it is possible to change the contour in any way your creativity inspires you. Features a built-in regulated power supply. Carl Martin Crunch Drive
Imitates the very clean, controlled, and dynamic blues distortion you get from a really good tube amp. The attack and edge controls give you access to a variety of flavors within the crunch distortion style without limiting the sonic quality. Unusually transparent noise-free performance ensures that the natural characteristics of your amp will not be compromised. Features a high-quality switch, true bypass, and external AC adapter plug. Also powered by 9V battery. Carl Martin Rock Drive
The Rock Drive has been described as a "high-end" tube screamer. The unit offers the player more gain than the Crunch Drive and has a more neutral voicing. It works particularly well for getting that classic rock tone, and you can push it without altering the basic tone of the guitar or limiting your dynamics. The attack and edge controls give you access to a variety of flavors within the hard rock range. Features high-quality switch, true bypass, and external AC adapter plug. 9V battery powered. Carl Martin Heavy Drive
The Heavy Drive offers the player the most gain and is voiced with emphasis on the lows. This makes it the perfect choice for getting that "heavy rock sound. It also responds well to the guitarist's most delicate playing techniques without altering the basic tone of the guitar. Attack and edge controls give access to radical changes in tonality without limiting the sonic quality. High-quality switch. True bypass. 9V battery powered. AC adapter plug. Carl Martin Chorus XII Pedal
Unbelievably rich sound and ultra-quiet operation are the strengths of this quality pedal. Also, it functions essentially as 2 pedals, with 2 identical but independent sets of speed and depth controls, each with its own LED that flashes according to speed setting. A Select switch lets you change settings mid song. Carl Martin Two Faze Phaser
Designed by Holm Malmquist to combine vintage-style phase shifting with modern technological advantages, resulting in expanded headroom and improved sound quality. 2 identical and independent sets of speed controls with LED indicators that light up when in use and flash as speed indicators. 1/4" mono I/O, genuine bypass, and the ability to select between settings via a foot button on the box. Great for guitar, keyboards, or bass. Rich, super-quiet sound doesn't mask the signal input and is clean enough to rely on in the studio. Built-in regulated 12V power supply. Carl Martin 3-Band Parametric EQ/Pre-amp
Specially designed for use with such acoustic instruments as guitar, violin, and harmonica. These instruments sometimes use combo amps, which require a high-quality EQ (3-band parametric) and balanced line driver. These features have been integrated into a convenient stompbox format with both XLR and 1/4" outputs. The unit also works well for tweaking the sound of electric guitars, basses, and other electronic instruments in the studio. Integrated regulated power supply. Carl Martin Combinator 2 Effects Switching Pedal
If you use lots of effects pedals but get tired of pressing a bunch of footswitches to turn multiple pedals on or off, the Combinator 2 will put a smile on your face. With the Combinator 2, switching is easier, smoother, and you even save batteries.The Combinator 2 features 8 effects loops, 18 programs, tuner output, master mute, a power supply providing 8 individual 9-volt taps, and 3 external switches on separate outputs.Each pedal is connected to one of 8 individual effects loops (2 with stereo returns) and then assigned to one or more of 18 groups. Pushing the program switch for a group simultaneously engages all of the pedals assigned to it. Assign a fuzz pedal, wah, and chorus to program switch one and hit the switch once to turn them all on or off.Programming is a snap. Just select a bank and press one of the program buttons, press the soft buttons corresponding to the pedals you want to include, press store, and you're done. Carl Martin Noise Terminator Pedal
The Noise Terminator is a 9V-battery-powered pedal designed to preserve the original tonal characteristics of your signal while removing unwanted noise that occurs when multiple effects are used. It surpasses the performance of conventional noise gates by allowing the player to switch between 2 threshold settings: Soft - with less noisy equipment or Hard - when more radical settings are required.The remote jack allows you to connect the Noise Terminator to an external MIDI switching system, which allows the player to go between the soft and hard settings with ease.AC adapter jack for electrical power. Carl Martin Hot Drive 'N Boost mk 3 Pedal
The anniversary Hot Drive'n Boost mk 3 has a completely new overdrive design that delivers even more authentic tube simulating overdrive than the revered original HDB. It gives you the sound of a tweaked boutique tube amp without affecting your fundamental tone. There's no midrange emphasis or high- or low-end cut. Equipped with Boost, Level, Wave, and Gain rotary knobs plus Boost and Drive switches to fine-tune and activate your sound. Up to a 20dB boost gives your solos the presence and punch you lust after. A built-in power supply keeps your signal clean. Hand-built in Denmark. Carl Martin Hydra Boost Pedal
Small in size and simple in design, it gives you up to 15dB of low-noise boost. Imagine your solo with an extra few dBs on top to get it out where you want it in the mix, or maybe give your signal a boost into your amp for more sustain and bite. With the Hydra you can do all of that, or even drive your pedals for outrageous distortion. Carl Martin DeLayla XL Delay Pedal
The Carl Martin DeLayla XL Delay Pedal was designed and developed to have the same sonic quality as the original DeLayla and adds a second delay head for the ultimate in vintage slapback echo. The response of the second head can be fine-tuned, is controllable by footswitch, and can be blended with the first head. The Carl Martin DeLayla delivers warm, smooth delay and echo reminiscent of vintage tape units, but with modern features. The Delayla XL has a tap tempo and a built-in power supply. Carl Martin Plexitone Overdrive Pedal
With the Carl Martin Plexitone Overdrive Effects Pedal, you get a crunch channel, a high gain channel, and a 20dB clean boost channel for every tone you want: subtle overdrive, hard-rock crunch, high-gain shred, or bass-heavy grunge. An integrated regulated power supply gives all the headroom you'll need. Carl Martin Surf Trem Vintage Series Guitar Effects Pedal
The Surf Trem gets its tremolo circuit from the Carl Martin Tremovibe. With just speed and depth controls (just like an old tube amp), those classic tones are easy to achieve. The Surf Trem features a retro heavy die-cast case with 9V battery compartment, cool color, and heavy-duty bypass switch.Slow and dramatic (twin peaks) For the slow song with a lot of drama in the tone, tweak the depth knob up and set the speed to match the tempo of the song.Subtle vibe To give the guitar a subtle timbre or vibe, go easy on the depth knob and set the speed fairly high. This gives a light effect that can be used very often, as it will not dominate the song with a heavy character.Chainsaw Set both the depth and speed knobs high and use together with a fairly high-gain drive for a very powerful effect. Carl Martin Crush Zone Guitar Effects Pedal
The Carl Martin Crush Zone is a vintage style, high-gain/distortion pedal using the same high quality components as its Carl Martin cousins. The Crush Zone provides everything from a slight edge to your tone to mind-blowing distortion. Adjust the cool chicken-head knobs for level and distortion, and then refine your sound using the tone control. Crush Zone is housed in a heavy die-cast case with 9-volt battery compartment and heavy-duty bypass switch. Carl Martin Red Repeat Guitar Effects Pedal
Based on the infamous Delayla, the Carl Martin Red Repeat Guitar Effects Pedal provides an affordable 600 milliseconds of delay as well as a simply controlled echo. Add just a touch of delay to thicken your sound, or push the echo circuit past 12 o'clock where the unit begins to self-oscillate, just like an old analog delay. Great vintage style and color in a heavy die-cast 9V pedal with heavy duty bypass switching. Carl Martin Boost Kick
Designed to give you that extra boost needed for a good solo. The level control determines the amount of boost (up to 20dB). Punch, attack, and edge controls function as an EQ section. They allow the creation of a full and varied range of solo sounds that can cut through the mix. High-quality switch. True bypass. External AC adapter plug. A remote jack allows connection of the unit to a remote footswitch if required. |
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